photo by Makela Yepez
photo by Makela Yepez
David H. Parker is a true interdisciplinary artist with over 12 years in the theatre and film industry under their belt. Their practice has been seen in Birmingham, Baltimore, Los Angeles, and Albuquerque, and is rooted in consent, hospitality, and intentional resetting of the nervous systems of marginalized artists.
I am a director and writer because I see intersectional stories etched into the eyes of those who yearn to have them told, and I share that yearning to champion them. Surviving a childhood of homeschooling across various Middle-of-Nowhere cities in the southern United States, my biracial Black Queer identity is deeply shaped by my transient roots.
I stand on the shoulders of giants, looking toward the future and how my communities will thrive despite the obstacles. I believe in the power of charged, culturally-specific art to catalyze change. As part of the movement of Black Queer artists entering newly-radicalized spaces, my work serves as a reminder that we don't need to worry about a seat at the table because, in the words of Courtney Baker-Oliver, we will “continue to consistently serve up unapologetic Blackness on the table [our] ancestors have prepared.”
I earned my Master of Fine Arts from the University of California Los Angeles (UCLA), a Bachelor of Arts from the University of Alabama at Birmingham (UAB), and am a member of the Stage Directors and Choreographers Union (SDC).
My work has been reviewed in the New York Times and Los Angeles Times; published by Alabama Folklife Association, American Theatre Magazine, and Southern Theatre Magazine; and acknowledged as a Semi-Finalist in the 2025 PAC NYC Democracy Cycle.

DISCONNECT (2020). Kennedy Center Awards for direction by David H. Parker & Roy Lightner.

FAIRVIEW (2024) by Jackie Sibblies Drury. Directed by David H. Parker, produced by UCLA.

FAT HAM (2024) Original Broadway Cast at Geffen Playhouse associate directed by David H. Parker.
David has frequent affiliation and partnerships with organizations such as:

GLAAD: Donja R. Love's Write It Out!
(pictured: Expectations/Reality by Brian Meegan, dir. David H. Parker)
Forbes, Teen Vogue, and The Grio on the Black Queer Creative Summit
"For a piece I saw twice in NYC--the original [Fairview] at SoHo Rep, and then the remount at Theatre for a New Audience--to still rock me to the core for the third time, all these years later at UCLA is truly something to celebrate... [David's] production and every single human a part of it doing magical, spellbinding work with [Jackie Sibblies Drury]'s masterpiece. Nothing short of amazing and important." -- larryjean powell
"[The production] made me want to keep making art and loving life." -- Xavier Brown
As a Teaching Associate at UCLA:
"David was incredibly knowledgeable about directing... and David earned a lot of respect from the students... and creating a generally friendly environment for our classroom."
"They were very approachable and clearly wanted students to be successful. It was also great to get the chance to talk with them about their own work and how they think about the entertainment and theater industries."
"Though they weren't my TA, they were still very sweet and cared about how the students were doing and always offered to help if any of us were struggling... David has a bright future in directing and any other endeavors they embark on.. very knowledgeable in the subject that they were concerned with... extremely organized."
Sweet Tea: An Artist Salon (2025). Produced by My Black Job. Photo by Ryan Hamilton.